Keith Olbermann on Health Care Reform – A Must See For Everyone

A special, hour-long commentary. Share it with anyone you can. Regardless of your politics, this is an issue beyond partisanship and petty bickering and I hope you will take the time to listen. If you disagree, I’d love to hear actual well constructed and intelligent arguments. Specious arguments about Nazis and Socialism don’t qualify.

Zombie Watch! Part 4

Dead Set

If you like zombie movies or even horror movies in general and haven’t yet seen this British mini-series, you really really oughta check it out.

Dead Set is intense and is probably one of the scariest zombie stories I’ve seen, with impeccable horror timing and writing that blends dark and cynical humor with social critique and a genuine love for the characters. Yes, Dead Set has fast zombies, a point of contention with some, and it also goes for the graphic and grotesque when it comes to some of the zombie feasting scenes so this is not a zombie movie for the weak of stomach. However, these elements work as part of a very disturbing whole and aren’t thrown in as mere window dressing.

In short, Dead Set takes place in and around the Big Brother house and begins on eviction night when there are massive live crowds surrounding the house. Of course those crowds become food and vectors for the zombies, but the people in the Big Brother house have no idea what is happening, cocooned away within their complex. The protagonist is a young production assistant played by Jaime Winstone who gets into the house and warns the Big Brother contestants about what is happening. Winstone manages a really wonderful mix of strength and fear, fragility and toughness that gives the character of Kelly a great deal of depth. She is an easy protagonist to both root for and identify with.

Of course no matter how secure, no matter how well defended, the zombies always manage to get in. Dead Set, like many of the Romero films, is explicit in showing that when the living start fighting each other, the zombies always benefit.

I won’t give away much about the story because you should just rent the video and watch it. Dead Set is definitely at the top of the list for freaky and frightening zombie experiences.

Light Blogging Ahead

I’m doing sound design for the upcoming New Plays Festival at Brown University and we are heading into the last week before tech. Between my day job and working on the shows, I will be pretty busy for the next couple of weeks. Sadly, I missed posting a “Music You May Have Missed” entry on the first. Odds are, I won’t get to it until after the shows are up and running.

On a side note, can you believe we are almost through a full 1/4 of 2009? Someone needs to slow this shit down, yo!

Sorry, a bit punchy from spending most of my day in front of the computer.

Other brief bits and baubles:

“The Road” (Cormac McCarthy): compelling, dark, and really depressing . . . but I totally recommend it. Though you may want to find time when you can devote some quality hours, because it’s an intensely difficult book to put down.

Kings is a rather good new series. I was a bit skeptical, but the pilot was absorbing, well acted, and quite fascinating. You can watch it for free on Hulu, or well, there are all manner of ways to watch it. I haven’t seen past the pilot episode, but when I get time I look forward to seeing where they take the show.

Last night, I watched “Walker – Criterion Collection” (Alex Cox) and recommend it if you enjoy Alex Cox movies like Repo Man, Sid and Nancy, or The Revengers Tragedy. His website offers an interesting look at filmmaking on the fringes of fame and was what got me interested in getting this particular film.

Enough of that – time to do dishes and read The Road and try to get to bed at a decent hour.

Oh, one last thing:

The Failure of Battlestar Galactica

Warning: spoilers and extremely critical thoughts ahead.

Do you remember the feeling you got in the pit of your stomach when you saw your best friend kissing the girl you’d never gotten the nerve to ask out but pined for night after night and who you just knew would fall in love with you if only she could see just how much you were in love with her?

Do you remember that night when you were five, maybe six, years old and you caught your Dad getting into a Santa Claus costume and your parents assured you that he was just helping out the real Santa but you knew, knew in your fast beating little heart that they were lying to you and that there was no Santa Claus. If your parents could lie about something so important and fundamental as Santa, then how could you ever trust anyone or anything ever again?

Do you remember the first time you lied to someone you loved? Not a small lie, but an important lie. Do you remember how hollow you felt afterwards?

That’s kind of how I feel about the Battlestar Galactica finale.

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Farewell to Battlestar Galactica

4 1/2 years ago, I lived in a small studio apartment in Richmond, Virginia where I was attending Virginia Commonwealth University and quickly coming to the realization that it was the wrong school and program for me (not quickly enough, however, to avoid nearly doubling my student loan debt in that one year). Joya was living in New York City and I was making regular Greyhound pilgrimages up to the city while trying to hold myself together in the face of an increasing sense of disconnectedness from myself and the world. My IBM Thinkpad was equipped with USB 1.0 and 802.11b, and I spent something like $200 for a 120 GB external hard drive. I probably weighed about 15 – 20 pounds lighter than I do now. I didn’t have dark bags under my eyes (those occurred in NYC). I was still smoking, but my stage combat class had me moving and stretching like I hadn’t moved and stretched in years. In fact, that class remains one of the highlights of my time in Richmond and to this day I miss having the opportunity to play with a rapier and dagger.

Because I hadn’t had cable for several years, I’d missed the mini-series re-boot of one of my favorite shows when I was a kid: Battlestar Galactica.

When I was eight or so, I adored Battlestar Galactica and had no conception of just how badly written and directed it was. I loved it. I loved the Vipers that Starbuck and Apollo and Boomer piloted and would draw them over and over again when I was bored in school or at home. My drawing repertoire was never very large, and that Colonial Viper was just about the only thing I ever learned to draw well. And then, of course, there was Starbuck who seemed so frakkin’ awesome to me back then with his charm and grin and anti-authoritarian streak. He was a rogue and played by his own rules: exactly what I was so very not. Battlestar Galactica was a weekly adventure that thrilled me no matter how often they recycled the same canned footage for their battle scenes. I have no doubt that the premise, underdogs on the run and persecuted by a remorseless and relentless force, tapped into my own experience of the world as a child. Don’t misunderstand, I had a healthy and happy and overall uneventful childhood. But what child doesn’t see the adult world as generally oppressive and cast him or herself as the beleaguered hero in their own drama?

The mini-series and first season of the new Battlestar Galactica had come and gone by the time I started paying attention and so, one evening I took a look around and found that, yes indeedy, the mini-series was available as a bittorrent download and so I figured I’d check it out.

***

One of the powers given to a television series that sets it apart from other storytelling mediums is just how intimately its stories become woven into the fabric of our lives. Here I’m speaking specifically of the experience of watching a series as it airs. These days it is relatively easy to watch entire seasons of a series on dvd or through downloads or on Hulu.com, and watch them in an extremely compressed time frame, and I’ve done my share of obsessively watching a season or an entire series in a matter of days or weeks (13 episodes of Journeyman in 2 days, the entire series of Carnivale in 2 weeks, 2 seasons of Dead Like Me in 1 week, and the mini-series and first season of Battlestar Galactica in 3 days are just a few examples). As much as I might admire or fall in love with a series watched in such a way, the emotional impact of having a long term connection to a show can’t be recreated with such a compressed form of viewing. The act of coming back to a set of characters, of transporting yourself to another world week after week after week can build an emotional connection that cannot be matched by film or theatre. Doctor Who, X-Files, Twin Peaks, Northern Exposure, Buffy: these were all series that became part of the fabric of my life in deeply interesting and compelling ways.1 Did these shows change my life? Did the recent Battlestar Galactica change my life?

Of course. Not in any profound, I’m-a-completely-different-person kind of way, but everything we encounter in life changes us in small and subtle ways. Powerful stories, whether in film, on television, in books, on stage, or told to us a grandparent, a lover, or an utter stranger will always change us in some fashion.

Stories and change are what it means to be human.

***

Last night I watched the final episode of Battlestar Galactica. In the time that I’ve been watching the show, I have left Richmond, moved in with Joya in NYC for what was the longest and most intimate relationship of my life, started and left a Ph.D. program, shared the sad realization with Joya that we needed to go our separate ways despite our love for each other, and left New York City. I have made an abortive but still emotionally useful attempt to move to New Mexico, decided to become a consultant and open my own business, realized that what I really want is to return to Academia and get my Ph.D. I have moved back to Providence, started temping for Kelly Services2, have designed the sound for eight plays, and applied to Brown University’s Ph.D. program for Theatre and Performance Studies and was rejected. I have faced and fought a number of my own personal demons, sometimes winning, sometimes losing. I have quit smoking, gained weight, and have somehow wandered to the edge of my 30s and am peering, a bit uneasily, into the unblinking eyes of my 40s.

***

When I moved to NYC and moved in with Joya, I turned her on to the series in time for us to watch the second season in the episodic, weekly format. Later, she got her parents and sister hooked on the series while I did the same with my parents. The past 10 weeks of the show have been tinged with a sadness that lies outside of show coming to a conclusion because I have very much missed watching the show with Joya. Battlestar Galactica has overlapped an often rewarding and often turbulent period in my life that is indelibly marked by my relationship with Joya. She and I have shared an ongoing connection through the show since we moved apart last July because, even apart, we have been able to share in this tangible remnant of our life and love together. For the last 10 weeks we have been spending time in the same story even as we write entirely different stories for ourselves in the real world.

***

Good stories are my favorite things in the whole wide world. A good story is a gift. Sometimes we are lucky enough to be the storyteller and give a gift the emanates solely from within ourselves. More often, however, we encounter a story out in the world that touches us deeply or makes us laugh or offers us a piece of ourselves we’d thought lost along the way. We then loan the book to a close friend, or drag her to the movie theatre, or get him watching a particular show, or manage to get her to the theatre. The joy I receive when giving a story to someone I care about fills me with warmth and smiles and a dizzy excitement.

Never let anyone tell you that feeling deeply and passionately about a story is silly. Never close yourself off to a good story just because it may come in a format you aren’t very familiar with.

Battlestar Galactica may not have been a perfect story—the facts of producing a television show rarely make for the creation of perfection—but it was a good story, told honestly and with a love for its characters even when those characters’ actions led to pain, loss, and betrayal. This show was also a remarkable story in many ways, principally because of its strong commitment to gender equality, its commitment to examining deeply political and ethical questions without giving the audience clear-cut answers as to what is right and what is wrong, and its portrayal of love and sex through the bodies of older actors. Ron Moore and David Eick, along everyone who worked on the program, have given us a gift forged in creativity, effort, thoughtfulness, laughter, pain, and love.

So, to all of you who brought this story into my life and to all of you who have shared this story with me, I offer you my gratitude.

***

Was last night’s episode perfect? No. Could I spend another 1000 – 2000 words offering a critique of what didn’t work in the conclusion. Yes, and probably will in the coming days. Right now, however, I am letting myself savor the final chapter to a story I have lived with for several years. I am letting myself feel the precious weight of this gift I’ve been given: this story that has touched me, made me laugh, and made me cry. I am letting myself mourn the loss of a story and cast of characters that made me think about what it means to be human and what it means to be brave and what it means to love.

You will be missed, Battlestar Galactica.

So say we all.

  1. Not to mention the shows I watched as a child: MASH, Buck Rogers, Battlestar Galactica, The Hulk, Land of the Lost to name a few. []
  2. Yes, I’m a Kelly Girl! []

When the Doctor Disappoints

The recent Doctor Who episode, “The Doctor’s Daughter” is arguably the worst episode produced since the show’s return in 2005. So disappointing that I had to blog about it, even with the attendant risk that I might confirm the suspicions of people who don’t like the show. I mean, it’s one thing to complain about episodes with other fans. There is a safety there, an “all in the family” feeling that makes it ok to admit to the show’s failings, but I hate to give fodder to those who might judge the show without ever giving it a chance.

This episode was really, really bad. More than that, however, it was actually insulting to fans of the show as well as the show’s own mythology in a way that felt calculated and cynical.

Let me stop you here if you are watching the show on Sci-Fi in America. The British air dates are about four weeks ahead of you, so you should probably stop reading right now and come back to this entry after you have seen this episode. For those of you in Britain or who are getting the show through, ahem, other channels . . . click through to read the rest of this rant.

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Listening with Sound Design Ears

J and I watched Orlando this past weekend – I had seen it years ago and she had never seen it and lately we’ve been on a bit of a Tilda Swinton kick. There was one moment, when Orlando is standing in front of the gates to a huge mansion and the rain starts pouring down when all of a sudden, I realized that the sound of the rain was all wrong, being too echo-y, like the sound of rain in a small alley or far more closed in space that had sound reflective walls.

Maybe it’s because my last show took place in a submerged ship and I got do know the “echo chamber” effect and settings in Adobe Audition pretty well, but the wrongness of the rain really struck me.

And speaking of Tilda Swinton – wouldn’t she make an awesome Doctor Who when we finally go with a female? Oh come on, you know we will eventually, despite the cognitive dissonance that will cause for the boy fans of the series. My votes are for either Tilda Swinton or Miranda Richardson.

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Must See British TV

Who should watch: fans of Stephen Moffat’s work (Coupling, Doctor Who), those interested in watching some damn fine acting, and those with an interest in science fiction of the corporate conspiracy ilk.

What to expect: Six episodes of breathtaking acting on the part of James Nesbitt as he plays the duel characters of Jekyll & Hyde, a slightly silly plot that feels very X-files in it’s suggestion of a vast, corporate conspiracy, some questionable sexual politics that blur the whole sex/violence line in stereotypical ways, and some very strong writing (“I love children. Bite-sized people snacks” — Ok, so maybe that’s not the best evidence of Moffat’s abilities.)

Some thoughts: British TV is so much more a writer’s medium than television here. While certain American tv writers leave a strong impression of themselves on their series, Britain has given us Dennis Potter, Stephen Moffat, & Russell T. Davies. Watching Moffat’s work in Coupling, Doctor Who and, now, Jekyll, reveals themes and textures that resonate in all of them, despite the radically different stories that Moffat is telling. Ideas of parenthood, the anxiety of responsibility, and the strength, in the end, of love are repeatedly examined, dissected, and put together in new and sometimes startling ways.

He’s also damn funny.

Ultimately, however, the reason to watch this series is for James Nesbitt’s extraordinary performance. Hands down, his Hyde is one of the best psychopaths on screen.

Who should watch: Anyone nostalgic for the 70s, fans of action/cop shows, fans of John Simm’s performance as The Master in Doctor Who, and those who like shows that tread that “is this real or is this real” line. Oh, and fans of really creepy little girls emerging from a tv set to terrify the hero. And the three people who enjoy existential mysteries wrapped up in cop show clothes.

What to expect: Series one (8 episodes) is the stronger of the two, and showcases DCI Sam Tyler’s reality predicament as he wakes up in the 70s after being hit by a car. Playing on the differences between the technology, forensics, politics, and social attitudes of then versus now, the show paints the 70s as an alien, violent, sexist, and racist world where drinking and smoking are as ubiquitous as police corruption. But, how know, in a good way. The mysterious visions that Tyler experiences are connected to personal tragedy and the first series ends with a paradox that would make even Doctor Who fan’s down a bottle of Advil–possibly with a pint of lager.

The second series is a bit weaker, possibility because some of the jokes become somewhat stale and there is an inconsistency to the character growth of some of the characters. Personally, I also find the ending to be sophomoric. No spoiler’s here, so I won’t tell why exactly, but I think the series, for all it’s overt condemnation of the violent, torture-tactics of the cops, and of the sexist and racist viewpoints espoused by a number of the characters, actually ends on a reactionary note, forgiving people for their sins because, come on, they don’t really know any better and besides they’re the good guys fighting the tough fight.

Some thoughts: I watched the series primarily because I was so taken with John Simm’s performance in the final three episodes of this year’s Doctor Who series–why did they have to go and kill him dead in such a way as to actively preclude Simm reprising the role? He was so freakin’ good in that role, bringing an undercurrent of violence, madness and and overt humor to a role that has, in the past, been primarily one-note. Simm doesn’t disappoint and he plays DCI Tyler with a winning mix of earnestness, detached amusement, anger, fear, desperation and strength. In addition, Philip Glenister as Gene Hunt, Tyler’s boss and mentor in the ways of 70s police tactics (basically, beat people up until someone confesses), is a joy to watch, filling the screen with a bluster and hard-as-tacks swagger that is both off-putting and seductive. Unfortunately, much of the character development in the series happens within an episode and is then forgotten in the next. There is no real arc to follow for any of the characters, rather a series of loops that, while fun, don’t give the series the depth that could have been achieved.

But it is a fun show (at least until the end of the second series) and worth checking out, even if it occasionally goes for the easy solutions to an interesting set of writing and character problems.

Currently listening: Hold Me Now from the album “80′s British Gold (Disc 2)” by The Thompson Twins

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